By Alfredo Cramerotti
Addressing a growing to be quarter of concentration in modern paintings, Aesthetic Journalism investigates why modern paintings exhibitions frequently encompass interviews, documentaries, and reportage. artwork theorist and critic Alfredo Cramerotti strains the shift within the creation of fact from the area of the inside track media to that of paintings and aestheticism—a swap that questions the very foundations of journalism and the character of paintings. This quantity demanding situations the way in which we comprehend artwork and journalism in modern tradition and indicates destiny advancements of this new dating.
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Additional resources for Aesthetic Journalism: How to Inform Without Informing
The pressroom journalist has to access multiple layers of source in an attempt to tell the entire story from as many angles as possible, but struggles to gain a relative space of manoeuvre, lacking the possibility of autonomous fieldwork. The artist-researcher, instead, like the investigative journalist, assumes the role of the narrator and takes responsibility for the facts reported. The information is distributed through a series of artistic ‘platforms’ such as museums and art galleries, cultural programmes (often involving several countries, like the EU programme Culture 2000), art magazines, university conferences and online forums.
What kind of work is One Step Beyond? In the handout Work in Transit, released in October 2004 for the presentation of the project in Rotterdam, I read: Over recent years, Lukas Einsele has been studying the worldwide phenomenon of the landmine and its victims. He travelled together with photographer Andreas Zierhut to minefields and other areas in Angola, Afghanistan, Bosnia-Herzegovina, and Cambodia. Einsele’s work explores the interrelationships between landmines and their 38 Aesthetic Journalism:Place of Artists Cinema 18/08/2009 21:04 Page 39 WHERE is Aesthetic Journalism?
6. See ‘Cinema come filosofia’, round table with Giacomo Marramao, Stefano Velotti, Pietro Montani, Umberto Curi, Bernard Stiegler and Edoardo Bruno at the Philosophy Festival of Rome, 11–14 May 2006, in MicroMega: Almanacco del Cinema Italiano, Nr. 7/2006, pp. 93–116. 7. ch, accessed 6 September 2008. puzzle& page=1196&siteid=22&article=658, accessed 6 July 2008. html? php, accessed 6 September 2008. 1 Contemporary Art Center New York (6 April–29 May 2006). See also bibliography for exhibition catalogues.
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